Friday night I drove about 60-odd miles northwest to an "alumni gathering" for the churchgal's group thing I went to last fall. And it was AWESOME. We were ferried by powerboat to our cabin on the lake, and after a meet'n'greet for everybody, three of us grabbed the "cool kids tent" and passed around a friends' silky-sweet homemade violin*, my flute, and a recorder. Later I walked out on the dock that night - magic! A couple cabins across the lake were lit, but for the most part it was empty. Stars littered the sky above so dense it might have been a hubble image, and clouds floated in the still water of the lake. I lay on the dock, drinking in the stars and occasionally sending a few snatches of melody across the water to see if the loons would answer again.
Morning came eventually, chilly and damp. Fog blanketed the lake, and for a time I was the only one up and about. One by one the others woke and came out of the tent, and eventually we all went into the cabin to prep some breakfast. Plenty of pleasant chatting amongst the whole gaggle of us for some time before the boat with the rest of the class and our class leader arrived.
Introductions and laughter and singing followed, then our teacher started sharing some of what she'd learned from a Messiac Jew concerning the first parts of Genesis, getting into connotations of the Hebrew that didn't carry through in translations through Greek**. I suppose it should come as no surprise that Professor Tolkien's Ainulindalë jumped out to bite me, so similar were the opening strains. All the while I was absorbed in watching the dance of golden light on the birch and grass at the lakeshore, for the lake was throwing little bits of sunlight everywhere.
After that feast of poetry for the ears and eyes, I had to leave. I'd promised friends back in the city I'd join them for a concert that evening, and so was granted leave to disappear early from the proceedings. Several of us had gotten together earlier to try to work out a quick rendition of "Be Thou My Vision" and while I couldn't stay for the whole thing, our teacher did ask me to play a bit over the group study while waiting for the boat... and so I did, getting lost in the flute again.
Soon though the boat arrived, piloted again by the husband of the cabin host. This time we shared the boat with a quiet young man and three rowdy dogs, proving that be it a car on the highway or a speeding plywood boat on an Alaskan lake - dogs will be dogs.
The drive back was spectacular. It was one of those heartbreakingly beautiful days, with a brilliant blue sky and scenery so sharp you could cut yourself on it. Photos taken from a speeding jeep on the little highway can't possibly do it justice, but I'll toss one in anyhow. Suffice it to say that the whole trip back was more prayer than commute, interrupted only by a fond stop for lunch in Wasilla, all full up with encouragement for their now famous hometown girl. Once home I sped through a couple quick tasks, then got ready for the event of the evening - a performance of Tristan and Iseult given by the legendary Celtic Harper Patrick Ball. I'd had the good fortune of seeing him once before in Tennessee, and was eager for another show.
Years ago, when I was first drawn to the Celtic harp, he was one of the masters I gravitated to. These days true wire-strung harps and harpers are relatively common - even as recently as ten years ago the nylon-strung neo-celtic folk harps like the one I learned on were very much the standard. But Mr. Ball has always performed like the bards of old, on a large bronze-strung harp that wouldn't look out place a millennium ago in a Welsh lord's hall. A traditionalist at heart, I'd always greatly admired Mr. Ball and his music.
It wasn't until I got to see him in Tennessee though that I was truly struck with the man as a performer. More than a musician, he is a modern bard - the best storyteller I have ever seen. He can hold an enraptured audience breathless in his hands, weaving a spell of song and story so skillfully the kings of old would have counted him a treasure in their halls. And we got to see him, my dear tour guide and me. He was even kind enough to stay and chat some with the audience afterwards, a delightful treat!
Afterwards, buddy and I went to an after-show party put on by another friend from a local historical group, where we passed the hours into the wee morning over story, bread, mead and laughter. The deep researchers of the group were entranced in debating the details of St. Brendan's voyages of the 6th century, as one of the number passed around his model and diagrams for the reproduction full scale currach he is building, following on the heels of Tim Severin.
All the while I got to warm my fingers on his own harp, absentmindedly drawing a stream of consciousness melody from the strings as I followed the conversation. Noticing at one point that the background music on the stereo had been turned off though was a better compliment than even the thanks I had at the end of the evening.. wow.
It was a day and a night of poetry, or prayer, of communion and of fellowship.
A better span of time I've not seen in ages. Here's to the simple joys of life - may you have them in abundance.
==============================================
* The thing had the softest, sweetest sound I've ever had the chance to feel - it was the classic "humble origins, royal sound" instrument. Wonderful to play on, and it responds to its owners classical touch beautifully! She picked well!
** I confess if I have a favorite scriptural passage, this might well be it. The sheer poetry of the first few verses of Genesis never fail to seize my heart, so pregnant are they with that breathless anticipation of possibility. I'd particularly recommend the old Mike Oldfield album with the Apollo recording for a more modern taste of "Ainulindalë."













